Lalique Dahlia Collection

Lalique revives its history by integrating glass originally used by its founder, René Lalique, to undertake major projects. The Interior panel is an innovative concept that offers not only functional aspects but also let each person add its own creativity and poetry. The interplay of transparency and satin finishes gives varying degrees of privacy to a space. This panel adapts to all great architectural projects: hotels, spas, luxury estates. The Dahlia panel with its contemporary style combines Lalique unique know-how and is crafted like an artwork by our master glass-workers. Like a fine painting, each piece is unique, very personal and individually signed by hand. Clear crystal, mirrored satin finish glass, large size Also available in clear glass, mirror and not mirrored satin finish glass (price on request) Handcrafted in France Photography represents a non-mirrored option.

Lalique revives its history by integrating glass originally used by its founder, René Lalique, to undertake major projects. The Interior panel is an innovative concept that offers not only functional aspects but also let each person add its own creativity and poetry. The interplay of transparency and satin finishes gives varying degrees of privacy to a space. This panel adapts to all great architectural projects: hotels, spas, luxury estates. The Dahlia panel with its contemporary style combines Lalique unique know-how and is crafted like an artwork by our master glass-workers. Like a fine painting, each piece is unique, very personal and individually signed by hand. Clear crystal, mirrored satin finish glass, medium size Also available in clear glass, mirror and not mirrored satin finish glass (price on request) Handcrafted in France Photography represents a non-mirrored option.

This box was initially created in glass in 1931 by René Lalique. Since 1947, this piece is presented in clear and satin finish crystal with black enameled points at the heart of its design. Clear crystal Handcrafted in France Designed by René Lalique, 1931